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Through our passion for movies and the belief in co-creation, internally and together with local leading operator’s partnership – we made it a mission to provide the ultimate content offering tailored for each market’s unique needs and deliver superior user experience that will be cherished by movie lovers universally. Instead of adopting major international players’ one ‘offer-fits-all’ strategy, we at CATCHPLAY with years of experience and passion for content, believes and embraces the importance of individual market’s unique needs and preference of content. In 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition to become Asia’s largest movie content service provider. Today, CATCHPLAY Media Holdings Group owns two distinct companies – CATCHPLAY Incorporated, and AsiaPlay Incorporated – with involvement from production, distribution, linear movie channel operation and both content aggregation and platform operation for digital entertainment services. This was followed by expanded partnerships with Telkomsel, Indosat and First Media, and in Singapore, collaboration with the market’s leading telecommunication operator, StarHub. In June 2016, the service platform launched in Indonesia, collaborating with market leaders IndiHome, Telkom Indonesia. In March 2016, the CATCHPLAY+ service platform made its pilot launch in Taiwan in partnerships with major telecommunication operators and device manufacturers. In addition to content aggregation, in 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition of becoming the leading premium content service provider for movie lovers in Asia. Today, we are the largest provider for premium movie content in Taiwan, aggregating content from Hollywood studios including Disney, Warner Bros., NBC Universal and Paramount in addition to having a wide selection of international independent films and leading local productions for distribution on major operators’ digital platforms. Today, CATCHPLAY continues to look into investment and co-production opportunities internationally and in Asia targeting particularly Chinese-speaking territories and South East Asia following our recent expansion footprints.ĬATCHPLAY started placing significant emphasis on the development of digital movie content years before the others did in Taiwan. In the same year, CATCHPLAY also provided financing and local production support to director Martin Scorsese’s passion project Silence, making it the first international production filmed entirely in Taiwan. CATCHPLAY and partners also control exclusive distribution rights to these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating outstanding box office results from these territories in 2016.

In early 2015, we closed a partnership deal to invest in New Regency’s three enthralling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment of a Taiwanese company in major Hollywood productions. Both investments generated considerable box office performance in Taiwan and China respectively. In the same year, we invested in the locally produced film, Paradise in Service and co-produced 20 Once Again with CJ Entertainment for the Chinese market. There is also a nasty image of a junkie who has defecated his pants.In 2014, in addition to distributing the movies CATCHPLAY loves, we embarked in earnest co-production and investment projects, venturing into content creation. One bad guy has his throat slowly and deeply sliced with a broken light rod. Fight scenes include broken bones and necks, stabbing with plenty of blood, a mook finished of by being shot in the neck painting the wall behind him, and a mook getting his neck impaled on a broken door. A man in an elevator is cut in the jugular and it stains the wall and the other has a knife pinned to the elevator wall with blood. A man is axed in the shoulder and then the chest.

3 men are executed graphically by gunshot onto a tarp and the last man is hammered offscreen. One is shot in the head and splattered on the wall behind him.

One os shot through the helmet and blood dribbles out the hole. Two cops are shot in their truck and the windshield is splatered. The inner underworld feels real and every part of the location and mise en scene is used to unexpected and thrilling effect in action and tension. When the heroes are tired and cant fight they make of what they can to survive in nail biting scenes of survival and improvisation. Yet there is just enough quiet let things sink in and have your double crosses and heel turns. The movie has a video game-ish sense of progress and constant movement that squeezes the most of the space to exhillarating effect and uses ominous lighting to set the mood of this world. The Raid masters slam bang action with epic coreography and succedes at horror with ots sense of claustrophobia and grimy atmosphere.

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